ALL PERFORMERS INTERESTED IN AUDITIONING (in-person and virtually) are invited to take a moment and read the Welcome to Auditions link for imperative information related to this audition.
VIRTUAL AUDITION
This is a two-step process. See Audition Information for more details related to submitting virtually, including how to send your vocal audition and email other materials.
Virtual Submissions must be received by August 16 at 12:00 p.m. Submissions received after this deadline will not be considered.
IN-PERSON AUDITIONS
Doors open no earlier than 30 minutes prior to a scheduled audition.
August 15th at 2:00 p.m: Ages 16 and older
August 16st at 2:00 p.m: Ages 16 and older
Performers interested in auditioning in person can fill out the following in-person application and bring it completed to the audition:
SHOW DESCRIPTION
The Hunchback of Notre Dame sweeping and deeply moving story of about love, compassion, acceptance, and the courage to stand up for what is right. Set against the majesty of Notre Dame Cathedral and brought to life through rich storytelling and a magnificent score, the musical follows those who are judged, feared, or cast aside and reminds us that true beauty is found within. Compassion can shine even in a world shaped by prejudice and fear.
CHARACTER BREAKDOWN
CLAUDE FROLLO
Male | Age: 40–60 | Vocal Range: E2–D4
The Archdeacon of Notre Dame Cathedral and the most powerful cleric in Paris. Frollo is Quasimodo’s reluctant guardian and will do whatever he believes necessary to rid the city of its Romani population, even as he develops an obsessive desire for Esmeralda. Calculating, manipulative, deeply repressed, and commanding. Requires a strong actor with a rich baritone voice.
JEHAN FROLLO
Male | Age: 20–30 | Vocal Range: G♯2–E♭4
Claude’s reckless younger brother and Quasimodo’s father. Jehan rejects the rigid life prescribed for him and follows his passion for Florika, regardless of the consequences. Wild, passionate, and strong-willed. May double with another role in the Congregation.
FLORIKA
Female | Age: 20–30 | Vocal Range: C♯4–F5
A compassionate and spirited Romani woman who falls in love with Jehan and becomes Quasimodo’s mother. May double with another role in the Congregation.
FATHER DUPIN
Male | Age: 40–60 | Vocal Range: C4–A4
A priest of Notre Dame and guardian to Claude and Jehan following the death of their parents. A strong featured character role who may double within the Congregation.
QUASIMODO
Male | Age: 20–35 | Vocal Range: B♭2–B♭4
The bell-ringer of Notre Dame and Frollo’s ward. Having spent his life hidden away because of his physical differences, Quasimodo is lonely, shy, and obedient to Frollo, but possesses a vivid imagination that brings the bells, statues, and gargoyles of the cathedral to life. He is tender, curious, courageous, and deeply expressive. Requires an exceptional actor and vocalist with considerable physical and emotional stamina.
CLOPIN TROUILLEFOU
Male | Age: 30–50 | Vocal Range: C3–G4
The clever and charismatic King of the Roma. Clopin serves as a storyteller and master of ceremonies, guiding the audience through the world of the play. Witty, theatrical, and playful when performing for the crowd, but capable of revealing a much darker and more serious nature. Requires a dynamic performer with commanding stage presence and strong movement ability.
CAPTAIN PHOEBUS DE MARTIN
Male | Age: 25–40 | Vocal Range: A♭2–A♭4
A decorated soldier returning to Paris to serve as Captain of the Cathedral Guard. Phoebus is confident, charming, and accustomed to getting his way, but beneath the bravado is a strong moral compass. His growing love for Esmeralda ultimately leads him to openly defy Frollo. Requires a charismatic actor and strong vocalist.
LIEUTENANT FREDERIC CHARLUS
Male | Age: 20–40
A lieutenant of the Cathedral Guard and loyal friend to Phoebus. A featured acting role who may double within the Congregation.
ESMERALDA
Female | Age: 20–35 | Vocal Range: E♭3–D♭5
A courageous and free-spirited Romani woman with a powerful sense of justice. Esmeralda is compassionate enough to defend Quasimodo when no one else will and fearless enough to stand against Frollo’s cruelty. Strong, intelligent, sensual, and emotionally grounded. Requires a commanding actor and vocalist with strong movement ability.
KING LOUIS XI
Male | Age: 40–60
The calculating and politically shrewd King of France, nicknamed “Louis the Prudent.” A featured character role who may double within the Congregation.
TRIBUNAL
Male | Age: 20–60 | Vocal Range: G2–E4
A stern judicial officer who presides over Jehan’s punishment. A featured character role who may double within the Congregation.
MADAM
Female | Age: 35–60
The owner of a brothel that also serves as a place of refuge for the Roma. Bold, worldly, and protective. A featured character role who may double within the Congregation.
SAINT APHRODISIUS
Male | Age: 30–60 | Vocal Range: B2–E4
A stained-glass saint who comes to life inside Quasimodo’s imagination. A brief but memorable featured role requiring strong comedic instincts and theatrical presence. May double within the Congregation.
CONGREGATION
Any Gender
The Congregation remains onstage throughout much of the production and transforms into the citizens of Paris, Roma, gargoyles, statues, soldiers, clergy, and other featured characters. These performers are essential to the storytelling and must be strong singers, expressive actors, and confident movers. Several members of the Congregation will portray featured and named roles throughout the production.
Casting will seek a wide variety of ages, ethnicities, backgrounds, vocal strengths, and performance abilities. All members of the company must be prepared to fully embrace the demanding vocal, physical, and emotional nature of the production.
CHOIR
Any Gender | Strong Choral Singers
The Choir provides the powerful sacred and liturgical sound at the heart of the production. Seeking experienced singers with strong musicianship, excellent pitch, and the ability to confidently perform complex choral harmonies. Choir members must also be focused, collaborative performers who listen carefully, respect the rehearsal process/production team, and contribute to a positive and professional environment. The Choir functions separately from much of the staged action but is a vital and highly visible part of the production. SATB voices are needed, with particular interest in strong tenors and basses.