March 23-24
Interested performers who are auditioning (in-person and virtually) are invited to take a moment and read the Welcome to Auditions link for important information related to this audition.
VIRTUAL AUDITION
See Audition Information for more details related to submitting virtually, including how to send your vocal audition.
Virtual Audition Form (must be received by March 24 at 12:00 p.m.) Submissions received after this deadline will not be considered.
IN-PERSON AUDITIONS
Doors open no earlier than 30 minutes prior to a scheduled audition.
Sunday, March 23rd at 6:30 p.m: Ages 13 and older
Monday, March 24th at 7 p.m: Ages 13 and older
Performers interested in auditioning in person can fill out the in-person application and bring it completed to the audition.
On the application for this audition are questions related to double casting, understudying, and swinging (not performing unless called upon to). Performers should answer these questions honestly and truthfully, while maintaining transparency about any other needs (will only be cast with a fellow auditionee/conflicts/etc.) Statements alluding to/presenting indirectness as well as vague responses (maybe/will discuss later/etc.) are strongly discouraged from being placed on the application.
SHOW DESCRIPTION
A timeless work, the rock opera is set against the backdrop of an extraordinary and universally known series of events but seen, unusually, through the eyes of Judas Iscariot. Loosely based on the Gospels of Matthew, Mark, Luke and John, Superstar follows the last week of Jesus Christ’s life. The story, told entirely through song, explores the personal relationships and struggles between Jesus, Judas, Mary Magdalene, his disciples, his followers and the Roman Empire.
CHARACTER BREAKDOWN
Principal Characters
Jesus Christ (Tenor, G2–B4)
The central figure, depicted as both divine and human, struggling with the weight of his mission and the expectations placed upon him. He is a charismatic leader yet deeply introspective, wrestling with his impending fate.
Judas Iscariot (Tenor, D3–D5)
One of Jesus’ twelve apostles, torn between his loyalty to Jesus and his growing belief that Jesus’ actions are endangering their cause. Judas is passionate, conflicted, and ultimately tragic, with some of the most demanding rock vocals in the show.
Mary Magdalene (Mezzo-Soprano, F3–E♭5)
A follower of Jesus who has developed a deep, complicated affection for him. Mary is gentle, compassionate, and emotionally open, with a famous solo, “I Don’t Know How to Love Him,” that reveals her inner turmoil.
Supporting Characters
Pontius Pilate (Baritone, A2–B4)
The Roman governor of Judea, a man caught between his own sense of justice and the political pressure from the crowd and religious leaders. Pilate is authoritative yet visibly uneasy about sentencing Jesus.
Caiaphas (Bass, C2–F4)
The high priest who sees Jesus as a threat to the established religious order. Deep-voiced and imposing, Caiaphas is a powerful figure of religious authority.
Annas (Tenor, G2–D5)
Caiaphas’ second-in-command, who supports the plan to have Jesus arrested. His higher vocal range contrasts with Caiaphas’ bass, creating a striking dynamic between the two.
King Herod (Baritone, C♯3–G4)
The flamboyant and mocking ruler of Galilee who treats Jesus as a joke, demanding a miracle to prove his divinity. Must have natural comedic timing and flair.
Ensemble Roles
Peter (Baritone, G2–G4)
One of Jesus’ apostles, known for his loyalty yet quick to deny Jesus when faced with danger. Peter has a heartfelt solo in “Could We Start Again Please?”
Simon Zealotes (Tenor, G3–B4)
An apostle who urges Jesus to take a more radical stance and lead a rebellion against the Romans. His energetic number, “Simon Zealotes,” reflects his revolutionary zeal.
The Soul Girls (Mezzo-Soprano/Alto)
Three female vocalists who function like a Greek chorus, adding commentary through soulful harmonies and backing vocals. They bring a contemporary flair to the score.
The Apostles (Various ranges)
Followers of Jesus who grapple with fear, faith, and their shifting loyalty as events unfold. They perform key ensemble numbers, such as “The Last Supper.”
The Priests and Soldiers (Various ranges)
Supporting Caiaphas and Annas, they represent religious and Roman authority, adding to the show’s intensity and dramatic stakes.
The Crowd/Ensemble (Various ranges)
The ever-present voice of the people, shifting from adoring fans of Jesus to an angry mob demanding his crucifixion. Their changing attitude underscores the theme of fame and betrayal.
The Playhouse is currently seeking a medium sized ensemble of all races, genders, and ages to bring Jesus Christ Superstar to life. This production explores the clash of fame, faith, and fate, set against the backdrop of Jerusalem in AD 33, with a bold, modern twist.
This Playhouse is looking for performers who are passionate about storytelling, supportive of their fellow castmates, and excited to be part of a dynamic and collaborative creative process. Whether you’re a seasoned performer or new to the stage, we want individuals who are eager to share their energy and artistry with our community.